![]() But a Manhattan Beach developer, Frank Daugherty, baldly discussed the racist motivations behind the condemnation of the Bruce’s land. When city records do include information about previous owners, they rarely reflect candid expressions of racist intent that informed the selection of a Black community as the site for a park or a new highway, for instance. This is what happened in 1920, in Ocoee, Fla., after a white mob, enraged by Black people attempting to vote, attacked them. Sometimes properties taken were disguised as “voluntary sales” in public registers. Lots of musicians with big ears in the 1960s.When a white mob descended upon a Black neighborhood in 1921 in Tulsa, Okla., 300 people were murdered and 10,000 Black residents were left homeless. Jimi Hendrix, by the time of Axis: Bold As Love. And Brian Jones, and Roger McGuinn and David Crosby, and Phil Lesh, and Carlos Santana. He was onto something that was unstoppable.īut as far as the Beatles copping Coltrane.I'm sure Lennon and McCartney were paying attention while he was alive. Not that it was his ambition to do so, it just worked out that way. By 1963, he probably had outdistanced all of them. ![]() By 1960, the guy was on his way to outdistancing any of his contemporaries as an exploratory musician. Trane spent a lot of his time with his nose in music books like Nicholas Slominsky's Thesaurus of Scales and Melodic Patterns. He was reaching for something beyond popular song melodies. The Beatles had nothing to teach John Coltrane about composition. But as far as evaluating them in some way, or adopting them as an just wasn't his wheelhouse. And of course by July of 1967 John Coltrane was gone from this earthly plane.Ĭlick to expand.The Beatles really were ubiquitous in American culture after 1964. Believe it or not, there were parts of the musical world that were barely touched by The Beatles in the early and mid 1960s. And he was a big enough star that it wasn't like what happened later in jazz when people like Miles Davis wanted to put themselves in front of increasingly large rock audiences. He was recording A Love Supreme while the Beatles were still out touring "I Want to Hold Your Hand" and "She Loves You." He was recording Ascension when they were recording "I'm Down." His music was showing the influence of his peers - like Albert Ayler, Cecil Taylor, Ornette Coleman - and world music as the '60s went on, but not rock, so there's nothing to infer from his work. Not only was he working in a separate field and of a much older generation - to the point that maybe he wasn't paying much attention to pop radio music, but he was playing much more advanced music much earlier. And of course by July of 1967 John Coltrane was gone from this earthly plane.Īs long as we're speculating, it's also possible that they weren't much on his radar at all. Click to expand.As long as we're speculating, it's also possible that they weren't much on his radar at all.
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